State of Inspiration
I was encouraged and challenged to pursue those things that I am truly passionate about with rigor and discipline.
Academic focus: Dance major
Concentration: Choreography and Performance
Additional Certifications: Merce Cunningham School Professional Training Program Certificate
Employer:
When I first came to 杏吧论坛, I lacked the self-confidence to believe that I could become a professional dancer. Dance was something fun I did between academic classes but, in my mind, not a potential career path for me.
My sophomore year I took a dance criticism course from Constance Valis Hill. For our final assignment, she asked us to write about the work of a post-modern choreographer. To my chagrin, it quickly became apparent that I had no idea what a 鈥榩ost-modern鈥 choreographer was. Generously, Constance called me into her office and allowed me to watch a dance of Molissa Fenley鈥檚 鈥淪tate of Darkness.鈥 This piece is a fierce, one woman, solo version of the Rite of Spring. Watching and writing about the work lit me on fire. I became a dance major, I dove back into the rigor of technique classes with Rose and Charles Flachs, I studied choreography with Terese Freedman and Jim Coleman. Finally for my senior thesis, I created my own version of the Rite of Spring. The Dance Department encouraged me, challenged me and taught me to pursue those things that I am truly passionate about with rigor and discipline. I now live in New York and have the great joy to dance for Molissa Fenley.
Originally from Bainbridge Island, Washington, is a Brooklyn based choreographer, performer and teacher